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In ‘I Saw the Light,’ Tom Hiddleston Becomes Tragic Troubadour Hank Williams
Rex Reed reviews 'I Saw the Light.'
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Nobody Wants Any of Richard Linklater’s Latest
Rex Reed reviews 'Everybody Wants Some!!'
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‘The Girl in the Photographs’ Is Hackneyed Horror
Rex Reed reviews 'The Girl in the Photographs.'
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Miles Mangled: Don Cheadle Desecrates the Memory of Legendary Jazz Trumpeter
Rex Reed reviews 'Miles Ahead.'
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James Cagney Comes to Life in a Brilliant Off-Broadway Musical
Rex Reed reviews the theater.
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Throats Are Slashed and Heads Blown off in ‘Green Room,’ a Punk Rock Thriller
Rex Reed reviews the cinema.
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‘Sing Street’ Is an Homage to the ‘80s and a Tale of Deprivation
Rex Reed reviews the cinema.
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Frank Langella Takes Us Through the Daunting Emotional Terrain of Alzheimer’s
Rex Reed reviews the theater.
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‘A Hologram for the King’ Is a Rambling, Well Shot but Inconsequential Curio
Rex Reed reviews the cinema.
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In ‘The Meddler,’ Sarandon Takes on One of Her Most Endearing Roles in Years
Rex Reed reviews the cinema.
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Musical Adaptation of ‘American Psycho’ Is as Depressing as It Is Distressing
Rex Reed reviews the latest theater offerings.
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Unlikely Masterpiece: Biopic of an Indian Mathematician Is Perfectly Crafted
Rex Reed reviews the cinema.
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‘The Family Fang,’ Jason Bateman’s Second Stab at Directing, Is a Winner
Rex Reed reviews the cinema.
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‘Shuffle Along’ Has No Originality, No Thrust, No Book and No Definition of...
Rex Reed reviews the latest theater.
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‘Being Charlie’ Is How Rob Reiner Worked Out His Issues Over Son’s Drug...
Rex Reed reviews the cinema.
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‘Mothers and Daughters’ Takes on a Familiar Theme and Comes Up Wanting
Rex Reed reviews the cinema.
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