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Channel: Rex Reed – Observer

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‘Daddio’ Is Intimate Without Warrant

Daddio is a dreary two-hander with the look, feel and sound of one hand clapping. Conceived and word processed by first-time writer-director Christy Hall, it takes place in the form of a dialogue...

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‘Longlegs’ Is a Stupid, Zero-Star Dumpster Fire

It’s summer, when multiplex marquees are bloated with hunks of junk. One learns, through experience, to expect mediocrity at the movies. What one does not expect is a load of total trash full of...

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‘Fly Me to the Moon’ Is a Sad, Silly, Over-Produced Disappointment

At a sorry time when most movies are about nothing, Fly Me to the Moon, a rom-com set in the chaos and cross purposes of the heroic Apollo 11 moon landing, deserves attention because even though it is...

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Drop-Dead Glamour-Puss Glen Powell Is a Reason to See ‘Twisters’

Before tornado movies threaten to become a cottage industry, just remember that in spite of both the bad ones and the forthcoming plans for more that are being assembled on the drawing boards as we...

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‘The Fabulous Four’ Is the Latest Humiliation of Seniors Seeking Employment

At a time when mature women are making giant strides toward honor, respect and dignity in every walk of life, progress to gain equal footing is evident everywhere except the movies. Even for...

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‘Close to You’ Review: Elliot Page’s Brave, Bold, Confusing Performance

After a triumphant splash in Juno, Elliot Page got Oscar nominated, was on his way to a promising career as an important film star with range and talent, and then suddenly disappeared for 17 years....

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‘The Union’ Doesn’t Make a Lick of Sense, Which Makes Sense

I’m no stranger to lament when it comes to the disintegration of quality in what passes for movies today, but then along comes a bucket of swill like The Union to remind me things are even worse than...

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Hemingway’s Worst Novel Gets Worse: ‘Across the River’ Is a Dull, Pointless...

Does anyone know how to make a movie these days that makes sense, with enough plot, narrative coherence and character development to keep a viewer from falling asleep? Hope springs eternal, but the...

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‘The Thicket’ Review: Blood, Violence and Little Else in This Bleak Western

The search never ends for ways to make old genres like cowboy movies look fresh and different.  To this purpose, there is a shoot-em-up called The Thicket. No cowboys here, but it’s still a Western,...

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‘Speak No Evil’ Collapses in Carnage

Remakes are odious, but Speak No Evil, while thoroughly unneeded and unasked for, is an Americanized remake of a 2022 thriller from Denmark that services its original material well, thanks mostly to a...

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Mia Farrow and Patti LuPone Are a Perfect Pair in ‘The Roommate’

Mia Farrow has not been on a Broadway stage for so long that we forgot how much we missed her. Now she’s back in a new play called The Roommate, and she’s forgotten nothing, so why should we? She’s...

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Who Can Blame an Apathetic Halle Berry? ‘Never Let Go’ Is Relentlessly Obtuse.

A state of desperate deprivation that signifies the lack of imagination that plagues most movies today and deprives decent performers from doing their usual work with pride is seriously damaging a lot...

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Kate Winslet’s Transfixing Performance Makes ‘Lee’ Vivid and Unforgettable

Great biopics about great people demand great writing and great centerpiece performances. The splendid film Lee, a riveting, honorable and comprehensive chronicle about the extraordinary life, work...

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Michael Keaton Shines in ‘Goodrich’—A Heartfelt Comeback for Real Men on Screen

One of the things I like best about watching Michael Keaton on the screen in movies, good or bad (and especially in human and often hilarious comedies like Goodrich), is the rare and gratifying skill...

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‘Left On Tenth’ Is Funny, Touching, Intelligently Written And Beautifully Acted

If you’re a veteran theatergoer lamenting the absence of good, old-fashioned love stories on Broadway, hope has arrived. Left on Tenth—the new play by Delia Ephron, the playwright and sister of...

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‘Juror #2’ Proves Clint Eastwood Is Still a Master of Suspense—and Hollywood

Politically, we might be on different planets, but my admiration and respect for director Clint Eastwood is boundless when it comes to movies. Now in his 90s, the iconic action star turned filmmaker...

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‘Here’ Goes Nowhere: Tom Hanks, Robin Wright and the AI Gimmick that Fell Flat

If you think Tom Hanks cannot make a bad movie, you haven’t seen Here. This phony, gimmicky and tedious waste of time might not be the first film in the abominable new process called A.I., but I pray...

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Hugh Grant Goes Full Villain in ‘Heretic’—But Who’s Really Terrified?

So much junk has already been written about the risky change of pace Hugh Grant exhibits in an overrated, undercooked fright flick called Heretic that it seems purposeless to contribute more. I’ll...

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‘Maybe Happy Ending’ Is The Most Original, Most Beautiful Musical In Eons

A new Broadway musical about people in love? OK. A new Broadway musical about people in love who are robots? I don’t think so. That’s what I feared when I arrived with trepidation at the Belasco...

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Surviving ‘Swept Away’: A Maritime Disaster in More Ways Than One

Fool that I am, I was excited to hear of a new Broadway play called Swept Away, figuring it would be a sexy adaptation of the great 1974 Italian film by Lina Wertmuller, unsuccessfully remade in 2002...

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